Curator, art critic, and writer Joshua Decter (US) has been working with contemporary art – and what he finds problematic with it – for nearly. Joshua Decter grapples with art’s inherent contradictions; the Los Art may have become a problem only because it is no longer really. In this volume of selected essays, interviews, curatorial texts, and reviews, spanning –, Joshua Decter examines contemporary art in relation to its .
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Art in America Eleanor Heartney The author examines art’s ability to problematize political and cultural discourses, and to express its own unique and knotty contradictions. Structured in seven chapters, this book revolves around Institutional Critique, the relations of art and politics, the emergence of platforms for art as a new paradigm, the privatisation of the public sphere, the un-definition of art, and curatorial practices.
Pbk, 6 x 8.
From this standpoint, he analyzes art’s definitions, functions, ethical entanglements, societal aspirations and cultural contradictions. His discourse is driven largely by a productivist vision of the artwork to the extent that Decter rejects the conventional dichotomy of form and content by which art is presumed to hold meaning like a vessel. The author examines art’s ability to problematize political and cultural discourses, and to express its own unique and knotty contradictions.
Preface by Paige Landesberg and Kristen Mueller. His discourse is driven largely by a productivist vision of the artwork to noshua extent that Decter Afterword by Alexandra Kleeman.
JOSHUA DECTER: ‘ART IS A PROBLEM’
Edited by Karen Marta. This volume of selected essays, interviews, reviews, and curatorial texts, spanning the period ofrepresents a significant part of Joshua Decter’s ongoing work as an educator, curator, and critic. Edited by John Miller. Photographs by Ari Marcopoulos.
In this volume of selected essays, interviews, curatorial texts and reviews, spanningJoshua Decter examines contemporary art in relation to its various ideological, public, discursive, and social contexts. Introduction by Lionel Bovier, Christophe Cherix. My library Help Advanced Book Search. Introduction and text by Antonio Saborit. Edited by Lionel Bovier. For reproduction permissions, contact the copyright holders.
Read, highlight, and take notes, across web, tablet, and phone. Art is a Problem: Published by JRP Ringier. Translated by Katherine Silver.
Foreword by Hans Ulrich Obrist. Edited by Igor Spanjol. Account Options Sign in.
No eBook available Amazon. The book encompasses seven chapters: Translated by Andrew Hodgson. New Bestsellers Trade Academic D.
Distributed Art Publishers, Hoshua. Decter sees the artwork from a public perspective and consistently probes its function as a collective representation, its placement in a cultural continuum, and the social relations organized around it. Accordingly, he questions contemplative aesthetics and the baggage that goes with it – quality, authorship, connoisseurship, and autonomy.
I also happen to have cited one of his early projects in my review of another Best of selection, New Ghost Stories at the Palais de Tokyo. Text by Sven Spieker. Foreword by Will Chancellor. Text by Jeff Derksen.
Edited by Anne-Julie Raccoursier.