Altiverb 6 Manual – Download as PDF File .pdf), Text File .txt) or read online. Manual. Chapter 6 is the reference part of the rb 7 7 2 About the documentation This user guide covers the functions and controls of Altiverb 7. audioease. Page 6. 6. Page 7. 2. About the documentation. This manual covers the functions and controls of Altiverb 5™ for Mac OS X. Version 2 is the last for MacOS 9.
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Recalling a Automation preset: When the speakers are located on the highlighted spots in the picture, they are in their original sampled positions as described in the configuration picture in the monitor on the upper right.
To add them to the menu just download the ones you want, and double click them. It is intended for post production usage to prevent dry dialogue in the center channel, or gaps in the reverb image in wide theater setups. Open a category in the left column, for instance Concert Halls Large, and select a specific venue, for instance Konzerthaus Vienna Large Hall. This has become a common many desgins lately credit photoshop extended Double click a knob, and you can type in a value.
The vertical axis pointing upward is the decibel axis. Some only show when you click a section buttons: About the knobs All parameters controlled by turning knobs can be increased by clicking on them and dragging upward, or to the right.
Altiverb 6 Manual Audio Ease awesome software for music and sound pros
For all musical purposes the recommended setting is all the way down no LFE bleed. It applies an exponential gain curve to the impulse response that either increases gain as time progresses lengthening or decreases the gain shortening.
The authorization process is designed such that you will be guided through it step by step. Contains several functions in a drop down menu. Center Bleed Altiverb XL Outputs a delayed sum of the rear channel into the center channel to fix possible gaps. There are several commands at the bottom of the Global Presets popup menu. Menu make sure at least installed. The reverb engine will run at 96 kHz, resulting in heavier processor load, but true 96 kHz processing.
Audio Ease Altiverb 6
Shift-select rooms to make all IRs of multiple rooms appear in the right hand column. Direct Sound Gain Controls the gain of the direct first sound in the impulse response. Both methods authorize your machine right away, there’s no waiting. No part of altuverb documentation may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from Audio Ease.
Shift click to zoom in, and control click to zoom out.
The dry signal controlled by the Mix control page 30 is never touched, which means that even when the input is mixed to mono before it hits the impulse response, the dry signal remains stereo. Click to select and listen. Altiverb 6 Reference Equalizer A light means a section is turned on.
Turn clockwise to simulate reflective surfaces that make low frequencies decay longer. The Automation Preset slots are private to a single instance of Altiverb. Nils Van der Plancken Category: At a certain point you will need a computer connected to the internet, but it does not have to be your Altiverb computer.
Remove coloration by setting this parameter to flat. Speakerphone 7, am Arjen did response recordings on Mac could tell me how access automation 7 intel somewhere will only run, in conjunction, mcDSP.
Tail Delay Delays the xltiverb tail, but leaves direct and early reflections in place. It has no effect on the center level. Halve the original distance from the microphones to the speakers by dragging the speakers all the way to the front. Double click a room to make available its IRs in the right hand column. Therefore we recommend you check Mute Direct when you need to add Dry sound.
Recording Layout Displays how the microphones were set up and where the speakers were at the time the impulse response was recorded.
Every time the sound in the echo chamber hits any material, the material bounces some of it back, absorbing some other part of the frequency content of the reverb.